Starting at $79.99
You love movies. We love movies. If you’re looking for professional feedback specific to your next feature script, you’ve come to the right place! Our readers have experience working for studios, agencies, and feature film production companies — they’re excited to share their expertise with you!
Starting at $69.99
It’s pretty clear: we’re in a golden era of TV. Whether it’s an original pilot or a spec of an existing show, make sure your script stands out with our TV script coverage! Our readers have worked for networks, streamers, and agency — they know television and are here to help.
Starting at $59.99
Short scripts are a fantastic way to get your screenwriting feet wet, try a new genre, hone your craft, and get noticed. Put your best short script foot forward by getting notes from our professional readers who have produced short content and are passionate about short form storytelling.
As seen in:
As a newer screen writer with no experience or formal lessons, I find constructive criticism with great suggestions a powerful tool to help improve my writing and lead me on a path towards success.
I look forward to using your services again as I progress along. Thank you!
I'm not attaching myself to the outcome. Sometimes you have got to count the no's on the path, it seems they are just as important.
I have gotten real advice that has made my script, super close, out of the mouth of the execs that read them.
I've moved up and received a "consider" rank! A few more rounds of editing and I really am shooting for a "recommend" in May.
I believe in myself much more now. I also love my script a thousand times more with the suggestions. It's not even the same script it was in March. Time to hustle, finish edits on episodes 101 and 102, and finalize the series bible/Pitch Deck.
I've also learned from a Hallmark exec that they are taking unsolicited manuscripts in October. Optioning a Hallmark Script (then hand it off to the channel to tweak and do whatever they want with it, whoever doctors their scripts...) and the writer gets around 60-100k for a Television feature. They also tend to use the same actors and writers. A writing team makes 3 million dollars a year just writing for Hallmark. I have the story.
Now I have to structure my life, so I am working on a passion project and commercially viable scripts, at the same time, no picking and choosing. Structure and intent... Hallmark may not be in my wheelhouse. I know the structure.
I wasn't sure if I could do this, screenwriting, it's very solitary. Writing with rose clouded glasses.... but I also applied for a writer's assistant job with the WGA, and I'm still in consideration for 3 different mentorships. I don't have time to lose, my surgery is in May as well, so ill have to stop for a while. BUT I gave myself this year to move forward in this area, and I'm getting there!
Even if it means I have two dollars left for the rest of the month.
The best part? You clearly hired DIVERSE readers for Diverse Voices! Bravo!
It was never just general observations ("improve dialogue") but rather very specific feedback.
When they had something positive to say about my work, it was so well said; I had been using it in my marketing material.
I cannot recommend this company enough.
The instructor of every scriptwriting seminar that I ever attended, and the author of every how-to-write-screenplays reference I ever perused, admonished unestablished writers to avoid works that include elements that would be costly to produce. Naturally, I ignored every bit of that sage advice and started drafting a story that I would enjoy writing and would actually want to see if it were ever to hit the big screen. I, therefore, halfway expected my script to be panned by the assigned WeScreenplay reviewer.
Instead, I received some in-depth commentary and critique by a professional screenwriter of my chosen genre who addressed the finer nuances of my script. The feedback was both gratifying and useful in contemplating how I might improve my screenplay's dialogue. Thank you.
The Real Thing - WeScreenplay Feature Contest feedback (20-12-2020):
Plot: 87th percentile
Characters: 94th percentile
Concept: 98th percentile
Structure: 98th percentile
Dialogue: 95th percentile
Overall Impression: 83rd percentile
Final Score: 94th percentile
... and then anything less than this from someone else will be a bummer.
The readers that have provided coverage for my most recent screenplay “BUSH DEVIL”, have gone above and beyond!
The in-depth analysis and feedback I have received has been worth way more than the humble price tag. These readers are passionate, devoted and keen. They really dive deep into your story and take their valuable time to offer sincere praise and constructive criticism.
I enthusiastically recommend any writer, no matter what level they are at in their career, to take advantage of the services offered by WeScreenplay!
Submitting to competition should be considered an investment in your future, it's good to double and triple check your work beforehand.
It was a strong check to the ego to see where I place among the other applicants and the notes were very constructive. It was clear my work was read and once my pride recovers, I'm excited to implement those changes.
All the feedback was constructive and encouraging. It made me excited to get back to writing.
However, it was worth the wait in gold.
Plenty of advice in the review/critique but also highlighting the positives of the script too!
I now know where to improve as the review went through character, plot, structure and dialogue.
Four pages of useful tips and I have already took on board some of the advice and rewritten some of the script.
Don’t get despondent by the feedback as it’s designed to help you get better and improve. You may not agree with all the feedback given but be pragmatic and accept that it’s a process that you need to go through and you’ll be all the better for it in the long run.
Thanks for the feedback!
Fast, reliable turnaround time.
We’ll have your coverage back to you within 72 hours (or less than 24 hours for an additional fee), even on weekends. Most of our competitors, on the other hand, take at least a few weeks. Our close-knit integration with Coverfly enables us to distribute incoming scripts to readers quickly and efficiently, and we pass the time savings on to you.
Quality, detailed notes. Coverfly-qualifying scores.
Our coverage isn’t just two pages doubled spaced. You get pages of detailed notes on character, plot, structure, marketability, and other elements from professional readers who are decked with experience in the industry and really know their stuff. The quality of our coverage is the single most important thing to us–check out the numerous testimonials above attesting to the strength of our coverage and our fast, helpful customer service. Plus, all scores you receive are Coverfly-qualifying!
Great prices. Your money goes to the reader.
It’s hard to find (read: impossible) anyone else in the industry that can match our prices, let alone our turnaround time and quality. Thanks to the technology we’ve built that’s more akin to that of a Silicon Valley startup than your run-of-the-mill script coverage company, when you purchase coverage through us, more of your money is going to the reader, not some administrative middleman.