We're excited to announce the very talented finalists of the WeScreenplay Television Competition. After four reads from four different judges, these are the scripts that stood out.
The writers advancing represent approximately the top 2% of all entries — quite an accomplishment. The talent in television is growing by the day, and this year the competition was incredibly fierce. The scripts were all strong, so narrowing it down wasn't easy. We want to extend a sincere thank you to everyone who entered the competition. Surely, some scripts that were cut will bring their writers success in the near future.
For those advancing, our judges will be reading your script once more and then the top scripts will be read by Universal and Comedy Central. Plus, the winners will be sent to managers, agents, and television producers across Hollywood. We can't wait to be a part of these writers' successes!
And now – the WeScreenplay Television Competition Finalists:
| Brody written by Pardeep Aujla |
| Default written by Hannah Rae Dillon |
| Ewe Stew written by Dorothy Irwin |
| Forever Alone written by Tim Marshall, Luke Tierney |
| GRAYMAIL written by Tiffany Shaw Ho |
| Guts written by Lizzie Simon |
| Hank & Martha In the Basement written by Kate Langsdorf |
| Ocean's 14 Minus 8 And George Clooney written by Matt Flynn |
| It's Boring Being a Hitman written by T.J. Peters |
| Lacuna – Hanna (Pilot) written by Ella Roby, Zahid Gamieldien |
| Mad Like Me written by Melinda Maerker |
| Misadventures written by Laura Gillis |
| Mount Pleasant written by Cat Dale |
| Offspring written by Melanie Schiele |
| On The Hudson written by marie robinson |
| Panthers written by Eric Glover |
| Pipe Dream written by Daniel Housman |
| Production Choice written by Carolyn Hoke |
| Small Town written by Lachlan Marks and Ella Roby |
| The Life written by George Perez |
| Vanishing Point written by JJ Bailey |
| White Space written by Christopher Thoms |
